{"id":16572,"date":"2020-11-30T17:18:38","date_gmt":"2020-11-30T23:18:38","guid":{"rendered":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/?p=16572"},"modified":"2020-11-30T22:31:05","modified_gmt":"2020-12-01T04:31:05","slug":"evenings-will-return","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/16572","title":{"rendered":"Evenings Will Return"},"content":{"rendered":"<p style=\"text-align: center\"><em>A poem by\u00a0 Alfonso Gatto, translated by\u00a0Lisa Mullenneaux\u00a0<\/em><\/p>\n<p>Evenings will return to cool<br \/>\nthe piazzas in the blue. From the sea,<br \/>\nthe moon will climb high up the white walls<br \/>\nand in the flood of gardens a wind<br \/>\nthick with houses, trees and stars<br \/>\nwill pass through vast clear skies.<br \/>\nVoices of families at dinner,<br \/>\nthe quick intoxication of their laughter,<br \/>\nwill return as in a dream.<\/p>\n<p>O windows, wells, porches, glass<br \/>\nattached to our everyday lives, to the gleam<br \/>\nof fresh delights and regrets,<br \/>\no new moon shining on my memory<br \/>\nbring daylight with your song of lost words,<br \/>\nwith tender sounds, with kisses stolen in the dark.<br \/>\nBe the red pulp of a split watermelon<br \/>\nin the center of the white tablecloth.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h6><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/16501\">Alfonso Gatto &amp; Lisa Mullenneaux\u00a0<\/a><\/h6>\n","protected":false},"excerpt":{"rendered":"<p>A poem by\u00a0 Alfonso Gatto, translated by\u00a0Lisa Mullenneaux\u00a0 Evenings will return to cool the piazzas in the blue. From the sea, the moon will climb high up the white walls and in the flood of gardens a wind thick with houses, trees and stars will pass through vast clear skies. Voices of families at dinner, [&hellip;]<\/p>\n","protected":false},"author":2211,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[66],"tags":[36],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-4ji","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/16572"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/2211"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=16572"}],"version-history":[{"count":1,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/16572\/revisions"}],"predecessor-version":[{"id":16573,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/16572\/revisions\/16573"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=16572"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=16572"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=16572"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}