{"id":16508,"date":"2020-11-18T09:21:04","date_gmt":"2020-11-18T15:21:04","guid":{"rendered":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/?p=16508"},"modified":"2020-11-30T22:33:03","modified_gmt":"2020-12-01T04:33:03","slug":"the-amateur-anthropologist-enters-bass-pro","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/16508","title":{"rendered":"THE AMATEUR ANTHROPOLOGIST ENTERS BASS PRO"},"content":{"rendered":"<p>I hear the Jurassic Park music swell, a sunset of violin<br \/>\nstrings when the paleontologist sees his life\u2019s<br \/>\nwork alive for the first time. Moving,<br \/>\nsomehow. Except. All the wildlife<br \/>\nhere stands like a human in the face of a t-rex,<br \/>\nholding their breaths. Yes, the geese are soaring but<br \/>\ntheir flight is perpetual, their eyes perspex.<br \/>\nClever girl says the man with the gun, seeing it<br \/>\nfor what it is. Squirrels and deer stuffed on top<br \/>\nof pedestals. Like rex, people don\u2019t want to feed, they want<br \/>\nto hunt. I\u2019m waiting for the jeep-sized claw to drop<br \/>\ndown in the mud, see the doctor in the rain, his hand<br \/>\npressed hard against the girl\u2019s mouth as she hyperventilates,<br \/>\nhear the deep bass of that reptilian throat vibrate.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h6><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/16501\">Megan J. Arlett<\/a><\/h6>\n","protected":false},"excerpt":{"rendered":"<p>I hear the Jurassic Park music swell, a sunset of violin strings when the paleontologist sees his life\u2019s work alive for the first time. Moving, somehow. Except. All the wildlife here stands like a human in the face of a t-rex, holding their breaths. Yes, the geese are soaring but their flight is perpetual, their [&hellip;]<\/p>\n","protected":false},"author":2211,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[66],"tags":[25],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-4ig","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/16508"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/2211"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=16508"}],"version-history":[{"count":1,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/16508\/revisions"}],"predecessor-version":[{"id":16509,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/16508\/revisions\/16509"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=16508"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=16508"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=16508"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}