{"id":16260,"date":"2020-08-01T00:00:41","date_gmt":"2020-08-01T05:00:41","guid":{"rendered":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/?p=16260"},"modified":"2020-08-17T15:50:49","modified_gmt":"2020-08-17T20:50:49","slug":"nr-32","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/16260","title":{"rendered":"NR 32"},"content":{"rendered":"
POETRY<\/a><\/h6>\n

Extraction<\/a> by Lisa Low
\nPortrait of My Mother’s Grief<\/a> by Maghan Baptiste
\nMONARCAS<\/a> by Alfredo Aguilar
\nRecreate Life<\/a> by Yongyu Chen
\nPostcard<\/a> by Gabrille Hogan
\nfriendship ode: road trip<\/a> by Marlin M. Jenkins
\nhere is the church<\/a> by Marlin M. Jenkins
\nDESIRE LINES (2)<\/a> by Jaydn DeWald
\nMarch<\/a> by TR Brady
\nDistracting Grief<\/a> by Jonathan Burkhalter
\nMotel Room<\/a> by Jonathan Burkhalter<\/p>\n

FICTION<\/a><\/h6>\n

Islanders<\/a> by Alida Dean
\nBlue<\/a> by Megan Howell
\n$1,457,980,228.11<\/a> by Paul Riker
\nExperiments with Living Subjects<\/a> by Michelle Ross<\/p>\n

TRANSLATION<\/a><\/h6>\n

Angel of our Summers<\/a> by\u00a0Jes\u00fas Gardea (translated by Nora Carr)
\nMy Beloved Ysabel<\/a> by\u00a0Marlon\u00a0Hacla (translated by\u00a0Kristine Ong Muslim)<\/p>\n

NONFICTION<\/a><\/h6>\n

Easter Sunday<\/a> by Anney Bolgiano
\nCommoner’s Ring<\/a> by Lesley Jenike<\/p>\n

REVIEWS\u00a0<\/a><\/h6>\n

Praying Naked<\/a>: Poems by Katie Condon<\/p>\n

FEATURED ARTIST<\/a><\/h6>\n

Photography<\/a> by Tyrone Williams<\/p>\n

COMICS\u00a0<\/a><\/h6>\n

Laborers of Love<\/a> by Betty Junghyun Kim<\/p>\n

CONTRIBUTORS<\/a><\/h6>\n
MASTHEAD<\/a><\/h6>\n

\n","protected":false},"excerpt":{"rendered":"

POETRY Extraction by Lisa Low Portrait of My Mother’s Grief by Maghan Baptiste MONARCAS by Alfredo Aguilar Recreate Life by Yongyu Chen Postcard by Gabrille Hogan friendship ode: road trip by Marlin M. Jenkins here is the church by Marlin M. Jenkins DESIRE LINES (2) by Jaydn DeWald March by TR Brady Distracting Grief by […]<\/p>\n","protected":false},"author":2211,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[65],"tags":[],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-4eg","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/16260"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/2211"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=16260"}],"version-history":[{"count":15,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/16260\/revisions"}],"predecessor-version":[{"id":16437,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/16260\/revisions\/16437"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=16260"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=16260"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=16260"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}