{"id":16000,"date":"2020-04-01T01:00:56","date_gmt":"2020-04-01T06:00:56","guid":{"rendered":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/?p=16000"},"modified":"2020-04-08T19:11:42","modified_gmt":"2020-04-09T00:11:42","slug":"spring-2020","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/16000","title":{"rendered":"Spring 2020"},"content":{"rendered":"
POETRY<\/a><\/h6>\n

Devil could have sworn he heard the holy father say\u00a0heaven help me<\/em><\/a> by Charlie Clark
\nI bring the wart removal kit with me to the July 4th party<\/a> by Sasha Debevec-McKenney
\nNothing<\/a> by Michael Dhyne
\nThe Next War<\/a> by Lilia Marie Ellis
\ncarrion<\/a> by Alyssa Froehling
\nMile 18<\/a>\u2014 by Lucien Darjeun Meadows<\/span>
\nHeart Hidden<\/a> by John Reid
\nShane\u00a0<\/em>(1953)<\/a> by Rob Shapiro
\nDream with Perennials<\/a> by Rob Shapiro<\/p>\n

FICTION<\/a><\/h6>\n

Yeti Hunting on Mt. Seymour<\/a> by Sophie Crocker
\nDoes Your Tattoo Mean Something?<\/a> by Deirdre Danklin
\nCreek Drunk<\/a> by Kelsey Down<\/p>\n

TRANSLATION<\/a><\/strong><\/h6>\n

the center for gender problems<\/a> by Lida Yusupova (translated by Hilah Kohen)
\nMarich\u00fa<\/a> by\u00a0Beatriz Espejo (translated by\u00a0Nina Perrotta)<\/span><\/p>\n

NONFICTION<\/a><\/strong><\/h6>\n

Local Private Radio<\/a> by Tyler Flynn Dorholt<\/p>\n

FEATURED ARTIST<\/a><\/strong><\/h6>\n

Cyanotypes en Couleur<\/a> by Robin Wolfenden<\/p>\n

COMICS<\/a><\/h6>\n

Spitting Image<\/a> by Brittany Matter, Heather Ayres & Sally Cantirino<\/p>\n

CONTRIBUTORS<\/strong><\/a><\/h6>\n
MASTHEAD<\/a><\/strong><\/h6>\n","protected":false},"excerpt":{"rendered":"

POETRY Devil could have sworn he heard the holy father say\u00a0heaven help me by Charlie Clark I bring the wart removal kit with me to the July 4th party by Sasha Debevec-McKenney Nothing by Michael Dhyne The Next War by Lilia Marie Ellis carrion by Alyssa Froehling Mile 18\u2014 by Lucien Darjeun Meadows Heart Hidden […]<\/p>\n","protected":false},"author":2041,"featured_media":16001,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[62],"tags":[],"jetpack_featured_media_url":"https:\/\/cdn.vanderbilt.edu\/vu-wordpress-0\/wp-content\/uploads\/sites\/15\/2020\/03\/19123110\/Cosmos_banner.jpg","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-4a4","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/16000"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/2041"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=16000"}],"version-history":[{"count":27,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/16000\/revisions"}],"predecessor-version":[{"id":16141,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/16000\/revisions\/16141"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media\/16001"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=16000"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=16000"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=16000"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}