{"id":15760,"date":"2019-12-01T01:00:00","date_gmt":"2019-12-01T07:00:00","guid":{"rendered":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/?p=15760"},"modified":"2019-12-01T10:18:18","modified_gmt":"2019-12-01T16:18:18","slug":"winter-2019","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/15760","title":{"rendered":"Winter 2019"},"content":{"rendered":"
POETRY<\/a><\/h6>\n

Birmingham<\/a> by Carrie Chappell
\nFire, Fire,<\/a> by Julia Kolchinsky Dasbach
\nBeekeeping<\/a> by Gabriel Fine
\nCalligraphy Lesson<\/a> by Gavin Yuan Gao
\nLetter with Missing Parts<\/a> by L.A. Johnson
\nAfter\u00a0Watchmen, Chapter IV<\/em><\/a> by Angie Mason
\nHigh Place Phenomenon<\/a> by Sean Shearer<\/p>\n

FICTION<\/a><\/h6>\n

Frito Pie<\/a> by M.S. Coe
\nThe Frog<\/a> by Ian Denning<\/p>\n

TRANSLATION<\/a><\/strong><\/h6>\n

Two Micropoems<\/a> by Margarita Serafimova (translated by the poet)
\nSaturdays<\/a> by Tong Su (translated by Xiaoming Shan & Min Liu)<\/span><\/p>\n

NONFICTION<\/a><\/strong><\/h6>\n

Smokescreen<\/a> by Caroline Angell
\nOutside the Frame<\/a> by Margaret Erhart<\/p>\n

INTERVIEWS<\/a><\/strong><\/h6>\n

Call Your Body Home<\/a>: An Interview with Nickole Brown<\/p>\n

REVIEWS<\/a><\/h6>\n

Exorcism\u00a0 Lessons in the Heartland:\u00a0\u00a0<\/i>Poems by Cara Dees<\/a><\/p>\n

FEATURED ARTISTS<\/a><\/strong><\/h6>\n

from A Map of Longing<\/a> by Erin Murphy
\nfrom A World Without I.C.E.<\/a> by philip nanos<\/p>\n

COMICS<\/a><\/h6>\n

from Geographic Tongue<\/a> by Rodney Gomez<\/p>\n

CONTRIBUTORS<\/strong><\/a><\/h6>\n
MASTHEAD<\/a><\/strong><\/h6>\n","protected":false},"excerpt":{"rendered":"

POETRY Birmingham by Carrie Chappell Fire, Fire, by Julia Kolchinsky Dasbach Beekeeping by Gabriel Fine Calligraphy Lesson by Gavin Yuan Gao Letter with Missing Parts by L.A. Johnson After\u00a0Watchmen, Chapter IV by Angie Mason High Place Phenomenon by Sean Shearer FICTION Frito Pie by M.S. Coe The Frog by Ian Denning TRANSLATION Two Micropoems by […]<\/p>\n","protected":false},"author":2041,"featured_media":15765,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[61],"tags":[],"jetpack_featured_media_url":"https:\/\/cdn.vanderbilt.edu\/vu-wordpress-0\/wp-content\/uploads\/sites\/15\/2019\/12\/19123115\/A-Map-of-Doubt_banner.jpg","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-46c","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/15760"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/2041"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=15760"}],"version-history":[{"count":28,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/15760\/revisions"}],"predecessor-version":[{"id":15926,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/15760\/revisions\/15926"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media\/15765"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=15760"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=15760"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=15760"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}