{"id":15545,"date":"2019-08-01T01:00:41","date_gmt":"2019-08-01T06:00:41","guid":{"rendered":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/?p=15545"},"modified":"2020-04-01T02:25:47","modified_gmt":"2020-04-01T07:25:47","slug":"summer-2019","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/15545","title":{"rendered":"Summer 2019"},"content":{"rendered":"
POETRY<\/a><\/h6>\n

Redux<\/a> by Deborah Allbritain
\nAnniversary<\/a> by Julie Phillips Brown
\nChurch<\/em> can be a word for anywhere<\/a> by Andrew Collard
\nA Secret<\/a> by Ryler Dustin
\nThe Possessed<\/a> by Bryce Emley
\nSelf-portrait con Naranja <\/em><\/a>by Lupita Eyde-Tucker
\nBuying Ice at the Wawa for My Wife<\/a> by Robert Fillman
\n(21)<\/a> by A.D. Lauren-Abunassar
\nSonnet for What Remains<\/a> by James Kelly Quigley<\/p>\n

FICTION<\/a><\/h6>\n

Return To<\/a> by Corey Cummings
\nBasement Living<\/a> by Quinn Mason
\nKissing in the Dark<\/a> by Jackie Reitzes<\/p>\n

TRANSLATION<\/a><\/strong><\/h6>\n

Eden<\/a> and In the Next Room<\/a> by Ximena G\u00f3mez (translated by the author and George Franklin)
\nExternal<\/a> and Let It Come<\/a> by Vicente Huidobro (translated by Jonathan Simkins)<\/p>\n

NONFICTION<\/a><\/strong><\/h6>\n

Now What<\/a> by Molly Johnsen
\nThe Law of Social Danger<\/a> by Marianna Nash<\/p>\n

REVIEWS<\/a><\/h6>\n

A Fortune for Your Disaster<\/a>: <\/em>Poems by Hanif Abdurraqib<\/p>\n

FEATURED ARTIST<\/a><\/strong><\/h6>\n

Collages<\/a> by C.R. Resetarits<\/p>\n

CONTRIBUTORS<\/strong><\/a><\/h6>\n
MASTHEAD<\/strong><\/a><\/h6>\n","protected":false},"excerpt":{"rendered":"

POETRY Redux by Deborah Allbritain Anniversary by Julie Phillips Brown Church can be a word for anywhere by Andrew Collard A Secret by Ryler Dustin The Possessed by Bryce Emley Self-portrait con Naranja by Lupita Eyde-Tucker Buying Ice at the Wawa for My Wife by Robert Fillman (21) by A.D. Lauren-Abunassar Sonnet for What Remains […]<\/p>\n","protected":false},"author":2041,"featured_media":15643,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[59],"tags":[],"jetpack_featured_media_url":"https:\/\/cdn.vanderbilt.edu\/vu-wordpress-0\/wp-content\/uploads\/sites\/15\/2019\/08\/19123123\/CRR_cosmic-creepers_banner.jpeg","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-42J","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/15545"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/2041"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=15545"}],"version-history":[{"count":25,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/15545\/revisions"}],"predecessor-version":[{"id":15641,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/15545\/revisions\/15641"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media\/15643"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=15545"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=15545"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=15545"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}