{"id":15478,"date":"2019-08-01T01:00:26","date_gmt":"2019-08-01T06:00:26","guid":{"rendered":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/?p=15478"},"modified":"2019-08-01T01:38:12","modified_gmt":"2019-08-01T06:38:12","slug":"in-the-next-room","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/15478","title":{"rendered":"In the Next Room"},"content":{"rendered":"<p style=\"text-align: center\"><i>A poem by Ximena G\u00f3mez, translated from the Spanish by the author and George Franklin.<\/i><\/p>\n<p>The chair, the desk, the bookshelves,<br \/>\nThe air filter, Bach\u2019s music.<br \/>\nYour ashes, Mother, inside<br \/>\nA wooden box, books in front.<br \/>\nOn top, a handwritten card<br \/>\nThat I never gave to you.<br \/>\nMonths ago, I opened it,<br \/>\nFound little pieces of bone,<br \/>\nGrit, fine green stones, strange odor<br \/>\nOf old books, of soil, iron.<br \/>\nThere, not sleeping, not resting,<br \/>\nLifeless between the books and<br \/>\nThe clutter.\u00a0 Still there, among<br \/>\nDust, neglect. Someone speaks from<br \/>\nThe next room, one who arrived<br \/>\nAfter you died.\u00a0 It was the<br \/>\nAnniversary of your<br \/>\nDeath, open jars by the bath,<br \/>\nPots spread around the kitchen\u2026<br \/>\nChaos.\u00a0 He\u2019s resting now on<br \/>\nMy bed, eats at my table,<br \/>\nDrinks wine, laughs.\u00a0 Suddenly,<br \/>\nI smell your talcum powder,<br \/>\nJohnson\u2019s soap on your blue dress.<\/p>\n<p>&nbsp;<\/p>\n<h6><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/15487\">XIMENA G\u00d3MEZ &amp; GEORGE FRANKLIN<\/a><\/h6>\n","protected":false},"excerpt":{"rendered":"<p>A poem by Ximena G\u00f3mez, translated from the Spanish by the author and George Franklin. The chair, the desk, the bookshelves, The air filter, Bach\u2019s music. Your ashes, Mother, inside A wooden box, books in front. On top, a handwritten card That I never gave to you. Months ago, I opened it, Found little pieces [&hellip;]<\/p>\n","protected":false},"author":2041,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[59],"tags":[36],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-41E","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/15478"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/2041"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=15478"}],"version-history":[{"count":2,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/15478\/revisions"}],"predecessor-version":[{"id":15499,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/15478\/revisions\/15499"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=15478"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=15478"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=15478"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}