{"id":15275,"date":"2019-04-01T00:23:58","date_gmt":"2019-04-01T05:23:58","guid":{"rendered":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/?p=15275"},"modified":"2019-04-01T10:07:23","modified_gmt":"2019-04-01T15:07:23","slug":"nr-28","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/15275","title":{"rendered":"Spring 2019"},"content":{"rendered":"
FICTION<\/a><\/h6>\n

A Lifelike Pose<\/a> by Ben Powell
\nFever Creek<\/a> by Melanie Ritzenthaler<\/p>\n

POETRY<\/a><\/h6>\n

Spring Garden<\/a> by Grady Chambers
\nReligious Practice<\/a> by Heather Christle
\nLittle Brother<\/a> by Matthew Gellman
\nWould You Rather Sonnet<\/a> by Maggie Graber
\nDear Frank,<\/a> and Demons<\/a> by Zach Harrod
\nTo Offer Sweet Fruit to the Ghost<\/a> by John Paul Martinez
\nLexical Cloning<\/a> by Kristin Robertson<\/p>\n

TRANSLATION<\/a><\/strong><\/h6>\n

Between Us<\/a> by Ubah Cristina Ali Farah (translated by Hope Campbell Gustafson)
\nTo White<\/a> and Refusing Burial<\/a> by Mohammed Kha\u00efr-Edd\u00efne (translated by Conor Bracken)
\nAngelic<\/a> by Dorothy Tse (translated by Natascha Bruce)
\nHouse<\/a> by Sara Emanuel Viloria (translated by David Brunson)<\/p>\n

NONFICTION<\/a><\/strong><\/h6>\n

The Right to Grieve<\/a>\u00a0by Leah Angstman
\nIn the Company of Liars<\/a> by Brandi Bradley<\/p>\n

INTERVIEWS<\/a><\/strong><\/h6>\n

A Conversation with Dariel Suarez<\/a><\/p>\n

FEATURED ARTIST<\/a><\/strong><\/h6>\n

Photographs<\/a> by Jeffrey Dillenbeck<\/p>\n

COMICS<\/a><\/h6>\n

Bodies in Space<\/a> by Johnny Damm<\/p>\n

CONTRIBUTORS<\/a><\/strong><\/h6>\n
MASTHEAD<\/a><\/strong><\/h6>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

FICTION A Lifelike Pose by Ben Powell Fever Creek by Melanie Ritzenthaler POETRY Spring Garden by Grady Chambers Religious Practice by Heather Christle Little Brother by Matthew Gellman Would You Rather Sonnet by Maggie Graber Dear Frank, and Demons by Zach Harrod To Offer Sweet Fruit to the Ghost by John Paul Martinez Lexical Cloning […]<\/p>\n","protected":false},"author":1704,"featured_media":15289,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[58],"tags":[],"jetpack_featured_media_url":"https:\/\/cdn.vanderbilt.edu\/vu-wordpress-0\/wp-content\/uploads\/sites\/15\/2019\/03\/19123135\/20190114-JHD-0067.jpg","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-3Yn","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/15275"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/1704"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=15275"}],"version-history":[{"count":8,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/15275\/revisions"}],"predecessor-version":[{"id":15361,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/15275\/revisions\/15361"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media\/15289"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=15275"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=15275"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=15275"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}