{"id":14988,"date":"2018-12-01T01:43:44","date_gmt":"2018-12-01T07:43:44","guid":{"rendered":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/?p=14988"},"modified":"2018-12-01T09:45:11","modified_gmt":"2018-12-01T15:45:11","slug":"winter-2018-2","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/14988","title":{"rendered":"Winter 2018"},"content":{"rendered":"<h6><a href=\"\/nashvillereview\/fiction\">FICTION<\/a><\/h6>\n<p><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/14996\">A Woman Like Maasi<\/a> by Aisha Bhoori<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/15001\">Meals for Mourners \/\u5144\u5f1f<\/a> by K Ming Chang<\/p>\n<h6><a href=\"\/nashvillereview\/poetry\">POETRY<\/a><\/h6>\n<p><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/15004\">All That Matters<\/a> by Bryce Berkowitz<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/15010\">My Grandfather Never Told Us About Chrzan\u00f3w<\/a> by Jacob Block<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/15012\">On Raising Boys<\/a> by Julia Kolchinsky Dasbach<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/15018\">Saying Grace in a Time of Too Much (Elegy for a Future Loss)<\/a> by Gregory Emilio<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/15021\">Prairie Burning<\/a> by Joshua Garcia<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/15023\">Visiting the Memory Care Ward<\/a> by Ginger Hanchey<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/15025\">1994<\/a> by Brandon Lewis<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/15027\">Finally the Whispering Pines Motel Burned<\/a> by Josh Luckenbach<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/15031\">Salat Departing LAX the Week After An Attempted Terrorist Attack<\/a> by Dujie Tahat<\/p>\n<h6><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/sections\/translation\">TRanslation<\/a><\/h6>\n<p><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/15043\">Through the Night<\/a> by Caio Fernando Abreu (translated by Ed Moreno)<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/15046\">My Name Is &#8220;I&#8221;<\/a> by Geet Chaturvedi (translated by Anita Gopalan)<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/15065\">Two Poems<\/a> by Alla Gorbunova (translated by Elina Alter)<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/15074\">Her Name Was In\u00e9s<\/a> by Mar\u00eda Flora Ya\u00f1\u00e9z (translated by Alice Edwards)<\/p>\n<h6><a href=\"\/nashvillereview\/nonfiction\">NONFICTION<\/a><\/h6>\n<p><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/15079\">Some Gestures (Colorado)<\/a> by Andrew Sargus Klein<\/p>\n<h6><a href=\"https:\/\/as.vanderbilt.edu\/nashvillereview\/interviews\">INTERVIEWS<\/a><\/h6>\n<p><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/15083\">Living in the Process<\/a>: An Interview with Danez Smith<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/15086\">The Contours of an Experience<\/a>: An Interview with Akhil Sharma<\/p>\n<h6><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/sections\/reviews\">ReVIEWS<\/a><\/h6>\n<p><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/15092\"><em>Appointed Rounds<\/em><\/a>: Essays by Michael McFee<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/15096\"><em>A Cruelty Special to Our Species<\/em><\/a>: Poems by Emily Jungmin Yoon<\/p>\n<h6><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/sections\/featured-art\">FEATURED ARTIST<\/a><\/h6>\n<p><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/15141\">The Handmaid&#8217;s Tale<\/a>: Paintings by Mai Ta<\/p>\n<h6><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/14986\">CONTRIBUTORS<\/a><\/h6>\n<h6><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/14992\">MASTHEAD<\/a><\/h6>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>FICTION A Woman Like Maasi by Aisha Bhoori Meals for Mourners \/\u5144\u5f1f by K Ming Chang POETRY All That Matters by Bryce Berkowitz My Grandfather Never Told Us About Chrzan\u00f3w by Jacob Block On Raising Boys by Julia Kolchinsky Dasbach Saying Grace in a Time of Too Much (Elegy for a Future Loss) by Gregory [&hellip;]<\/p>\n","protected":false},"author":1704,"featured_media":15100,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[54],"tags":[],"jetpack_featured_media_url":"https:\/\/cdn.vanderbilt.edu\/vu-wordpress-0\/wp-content\/uploads\/sites\/15\/2018\/11\/19123143\/hmt3_banner-1.jpg","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-3TK","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/14988"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/1704"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=14988"}],"version-history":[{"count":16,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/14988\/revisions"}],"predecessor-version":[{"id":15168,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/14988\/revisions\/15168"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media\/15100"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=14988"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=14988"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=14988"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}