{"id":14855,"date":"2018-08-01T02:17:45","date_gmt":"2018-08-01T07:17:45","guid":{"rendered":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/?p=14855"},"modified":"2020-11-02T13:29:28","modified_gmt":"2020-11-02T19:29:28","slug":"summer-2018","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/14855","title":{"rendered":"Summer 2018"},"content":{"rendered":"
\u00a0FICTION<\/a><\/h6>\n

The Funny Thing<\/a> by Michelle Ross
\nThe Aquarium<\/a> by Walker Rutter-Bowman
\nMantras from the Southern Front<\/a> by Asha Thanki<\/p>\n

POETRY<\/a><\/h6>\n

Why They Wore Orange<\/a> by Rishika Batra
\nNecrophilia<\/a> by Kai River Blevins
\nWhat Kind of God<\/a> by Samuel Cheney
\nThe Truth Is<\/a> by Emily Cinquemani
\nWe Don’t Know Yet That the Little Girl Is Safe<\/a> by Teresa Dzieglewicz
\nEarly Morning Conversations After My Mother Stops Taking Medication<\/a> by Erika Goodrich
\n<\/span>The Manager Talks About Getting Engaged<\/a> by Jeff Kass
\nGhost Psalm<\/a> by Jennifer Key
\nMetamorphosis: Procne Serves Her Husband a Meal of His Own Child; Changed into a Swallow, She Nests in the Palace’s Eaves, Does Not Weep<\/a>\u00a0<\/span>and Metamorphosis: The Female Into<\/a> by Maggie Queeney
\nLove Underground<\/a> by Matthew Sumpter
\n<\/span>My Boyfriend Says Poetry and NASCAR Are the Same<\/a> and Ode to My Late-30s Sex Drive<\/a> by Amie Whittemore
\n<\/span>Softball Tournament at 37th and Lituanica<\/a> by Lizabeth Yandel
\n<\/span><\/p>\n

TRanslation<\/a><\/h6>\n

At the North Pole<\/a> by Dostena Anguelova (translated by Holly Karapetkova)
\nKramp<\/em><\/a> by Mar\u00eda Jos\u00e9 Ferrada (translated by Elizabeth Bryer)
\nTwo Poems<\/a> by Sophia Parnok (translated by Rainie Oet)
\nTwo Poems<\/a> by Zhu Zhu (translated by Dong Li)<\/p>\n

NONFICTION<\/a><\/h6>\n

Tilted Gardens<\/a> by William Lowell Blair
\nDetainees May Receive<\/a> by Kristin Chang<\/p>\n

ReVIEWS<\/a><\/h6>\n

Darling Nova<\/em><\/a>: Poems by Melissa Cundieff
\nIn the Time of PrEP<\/i><\/a>: Poems by Jacques J. Rancourt<\/p>\n

COMICS<\/a><\/h6>\n

The Shaman’s Last Vision<\/a> by Dave Sims<\/p>\n

FEATURED ARTIST<\/a><\/h6>\n

Photography<\/a> by Adam DesJardins<\/p>\n

CONTRIBUTORS<\/a><\/h6>\n
MASTHEAD<\/a><\/h6>\n

\u00a0<\/span><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

\u00a0FICTION The Funny Thing by Michelle Ross The Aquarium by Walker Rutter-Bowman Mantras from the Southern Front by Asha Thanki POETRY Why They Wore Orange by Rishika Batra Necrophilia by Kai River Blevins What Kind of God by Samuel Cheney The Truth Is by Emily Cinquemani We Don’t Know Yet That the Little Girl Is […]<\/p>\n","protected":false},"author":1704,"featured_media":14842,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[57],"tags":[],"jetpack_featured_media_url":"https:\/\/cdn.vanderbilt.edu\/vu-wordpress-0\/wp-content\/uploads\/sites\/15\/2018\/07\/19123149\/9.jpg","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-3RB","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/14855"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/1704"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=14855"}],"version-history":[{"count":10,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/14855\/revisions"}],"predecessor-version":[{"id":16449,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/14855\/revisions\/16449"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media\/14842"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=14855"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=14855"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=14855"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}