{"id":14660,"date":"2018-03-31T20:28:07","date_gmt":"2018-04-01T01:28:07","guid":{"rendered":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/?p=14660"},"modified":"2018-03-31T20:53:42","modified_gmt":"2018-04-01T01:53:42","slug":"spring-2018","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/14660","title":{"rendered":"Winter 2018"},"content":{"rendered":"
FICTION<\/a><\/h6>\n

From Proof To Copy<\/a> by Christy Hutchcraft
\nFantasy World Has Fallen Into Disrepair<\/a>\u00a0by Alexandra Tanner<\/p>\n

POETRY<\/a><\/h6>\n

Autobiography Of A Taxi Driver<\/a> by Hussain Ahmed
\nHuman Metonymy: A Tour Guide through I and II<\/a>\u00a0by Julia\u00a0Kolchinsky Dasbach
\nAt The Brain Injury Research Institute<\/a> by Chelsea Dingman
\nJuxtaposition With Foliage<\/a> by Bernard Ferguson
\nOn Hearing There\u2019s an Active Shooter While Teaching High School in Trumann, AR<\/a> by Zach Hester
\nA Pantoum<\/a> by Alice Lai
\nThis Is How You Get Rid Of Ants<\/a> by Gerardo Pacheco Matus
\n& Always, On Her Birthday<\/a> by Meghann Plunkett
\nGrace<\/a> by Jacques J. Rancourt
\nElegy for Michael Friedman<\/a>\u00a0and\u00a0Rineke Dijkstra: Julie, Den Haag, Netherlands, February 29, 1994<\/a>\u00a0<\/em>by Lauren Goodwin Slaughter
\nBeliever, Affix a Fish To Your SUV<\/a> by Ross White<\/p>\n

ReVIEWS<\/a><\/h6>\n

Subcortical<\/em><\/a>:\u00a0Stories by Lee Conell
\nAmerican Purgatory<\/em><\/a>:\u00a0Poems by Rebecca Gayle Howell<\/p>\n

TRanslation<\/a><\/h6>\n

To Be Or Not<\/a>\u00a0by\u00a0Xurxo Borraz\u00e1s (translated by Jacob Rogers)
\nNine Moons<\/a>\u00a0by\u00a0Gabriela Wiener (translated by Sarah Booker)
\n“Untitled” (After Gertrude & Alice)<\/a> by Christian Yde Frostholm (translated by Karen Havelin)<\/p>\n

NONFICTION<\/a><\/h6>\n

Reflections Of An Insecure Mother<\/a>\u00a0by\u00a0Judith Sara Gelt
\nBetween The Toes<\/a>\u00a0by\u00a0Katerina Ivanov<\/p>\n

COMICS<\/a><\/h6>\n

Clickhole Sublime\u00a0<\/a>by\u00a0Devin Mawdsley
\nThree Simple Requests<\/a> by Dave Sims<\/p>\n

INTERVIEWS<\/a><\/h6>\n

A Certain Freight Of Feeling:<\/a>\u00a0An Interview\u00a0with\u00a0Kevin Brockmeier
\nNaming Is A Breed Of Compassion & Empathy:<\/a>\u00a0An Interview with\u00a0Camille T. Dungy
\nHaving Faith:<\/a> An Interview with Kirstin Valdez Quade<\/p>\n

FEATURED ARTIST<\/a><\/h6>\n

Images<\/a>\u00a0by\u00a0Chris Russell<\/p>\n

CONTRIBUTORS<\/a><\/h6>\n
MASTHEAD<\/a><\/h6>\n","protected":false},"excerpt":{"rendered":"

FICTION From Proof To Copy by Christy Hutchcraft Fantasy World Has Fallen Into Disrepair\u00a0by Alexandra Tanner POETRY Autobiography Of A Taxi Driver by Hussain Ahmed Human Metonymy: A Tour Guide through I and II\u00a0by Julia\u00a0Kolchinsky Dasbach At The Brain Injury Research Institute by Chelsea Dingman Juxtaposition With Foliage by Bernard Ferguson On Hearing There\u2019s an […]<\/p>\n","protected":false},"author":1425,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[56,1],"tags":[],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-3Os","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/14660"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/1425"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=14660"}],"version-history":[{"count":3,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/14660\/revisions"}],"predecessor-version":[{"id":14679,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/14660\/revisions\/14679"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=14660"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=14660"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=14660"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}