{"id":14350,"date":"2018-03-26T16:33:20","date_gmt":"2018-03-26T21:33:20","guid":{"rendered":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/?p=14350"},"modified":"2018-03-28T10:33:07","modified_gmt":"2018-03-28T15:33:07","slug":"i-am-samson-and-delilah","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/14350","title":{"rendered":"I am Samson and Delilah"},"content":{"rendered":"<p>but there is no Bible, no<br \/>\nGod, only<\/p>\n<p>a broom to sweep<br \/>\nhair from the floor.<\/p>\n<p>I beautify the house<br \/>\nagain\u2014pluck<\/p>\n<p>the daisies of my eyes,<br \/>\nstrew them cross<\/p>\n<p>the kitchen counter,<br \/>\ndown the front steps,<\/p>\n<p>in the bath\u2014treachery<br \/>\nis no excuse for<\/p>\n<p>homeliness. Spring is<br \/>\ninevitable; they will<\/p>\n<p>bloom again. There is<br \/>\nno temple to raze<\/p>\n<p>to the ground, no<br \/>\nenemies to lash<\/p>\n<p>this body of braille,<br \/>\nso the story goes<\/p>\n<p>something like this:<br \/>\na man moves in<\/p>\n<p>darkness, to darkness,<br \/>\na woman has scissors<\/p>\n<p>for hands, the only<br \/>\nprayer is a meeting<\/p>\n<p>of metal\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 an<br \/>\ninfinity loop of sound.<\/p>\n<p>&nbsp;<\/p>\n<h6><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/14282\">Tafisha Edwards<\/a><\/h6>\n","protected":false},"excerpt":{"rendered":"<p>but there is no Bible, no God, only a broom to sweep hair from the floor. I beautify the house again\u2014pluck the daisies of my eyes, strew them cross the kitchen counter, down the front steps, in the bath\u2014treachery is no excuse for homeliness. Spring is inevitable; they will bloom again. There is no temple [&hellip;]<\/p>\n","protected":false},"author":647,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[56],"tags":[25],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-3Js","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/14350"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/647"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=14350"}],"version-history":[{"count":5,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/14350\/revisions"}],"predecessor-version":[{"id":14447,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/14350\/revisions\/14447"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=14350"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=14350"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=14350"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}