{"id":14208,"date":"2017-04-01T00:01:36","date_gmt":"2017-04-01T05:01:36","guid":{"rendered":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/?p=14208"},"modified":"2018-07-31T11:06:41","modified_gmt":"2018-07-31T16:06:41","slug":"winter-2018","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/14208","title":{"rendered":"Spring 2018"},"content":{"rendered":"<h6><a href=\"\/nashvillereview\/fiction\">FICTION<\/a><\/h6>\n<p><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/14576\">Linda&#8217;s Cat<\/a> by Ben Goldstein<\/p>\n<h6><a href=\"\/nashvillereview\/poetry\">POETRY<\/a><\/h6>\n<p><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/14265\">Portrait Of Reality In Fragments<\/a> by George Abraham<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/14285\">Poet Wrestling with the Beating in the Grave<\/a>\u00a0by Rosebud Ben-Oni<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/14297\">The Small Town\u2019s Unwanted Daughter<\/a> by Kristene Kaye Brown<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/14301\">,jentr\u0259f\u0259\u02c8k\u0101SH(\u0259)n<\/a> by Bryan Byrdlong<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/14346\">Dragons<\/a> by Grady Chambers<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/14348\">We Did Not Know Much About That City<\/a> by Alisha Dietzman<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/14350\">I Am Samson And Delilah<\/a> by Tafisha Edwards<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/14355\">Dark Green<\/a> by Chad Foret<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/14359\">Divination, U.S.A.<\/a> by Matthew Harrison<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/14362\">Aubade, With Omissions<\/a>\u00a0<em>\u00a0<\/em>by Perry Janes<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/14371\">Creolite II<\/a> by Steven Leyva<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/14375\">Bloodline<\/a> by Thomas Nguyen<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/14379\">Dear Computer<\/a> by Emma Catherine Perry<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/14381\">In This Poem, A Goat&#8217;s Head Hangs From A Tree Branch<\/a> by Lucy Wainger<\/p>\n<h6><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/sections\/reviews\">ReVIEWS<\/a><\/h6>\n<p><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/14638\"><em>Music For A Wedding<\/em><\/a>: Poems by Lauren Clark<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/14635\"><em>Mosaic Of The Dark<\/em><\/a>:\u00a0Poems by Lisa Dordal<\/p>\n<h6><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/sections\/translation\">TRanslation<\/a><\/h6>\n<p><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/14602\">I Underline A Title Like I Underline A Country<\/a>\u00a0by\u00a0Oriette D&#8217;Angelo (translated by Lupita Eyde-Tucker)<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/14608\">An Empty Word<\/a>\u00a0by\u00a0Brenda Lozano (translated by Alice Whitmore)<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/14615\">Esther<\/a> by Tobie Nathan (translated by Joyce Zonana)<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/14606\">Scene: 1993<\/a> by Enrique Sacerio-Gar\u00ed (translated by Suzanne Jill Levine)<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/14612\">Hell In Bottles<\/a> by Kyusaku Yumeno (translated by Sacha Idell)<\/p>\n<h6><a href=\"\/nashvillereview\/nonfiction\">NONFICTION<\/a><\/h6>\n<p><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/14571\">20\/20<\/a>\u00a0by\u00a0Jackie Connelly<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/14592\">Illnesses And Injuries<\/a>\u00a0by\u00a0Mackenzie Dwyer<\/p>\n<h6><a href=\"\/nashvillereview\/comics\">COMICS<\/a><\/h6>\n<p><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/14618\">Imogen &amp; The Beginning Of Color\u00a0<\/a>by\u00a0Gabrielle Bates<\/p>\n<h6><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/14184\">FEATURED ARTIST<\/a><\/h6>\n<p><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/14641\">Photography<\/a>\u00a0by\u00a0Antonia Basler<\/p>\n<h6><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/14282\">CONTRIBUTORS<\/a><\/h6>\n<h6><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/14600\">MASTHEAD<\/a><\/h6>\n","protected":false},"excerpt":{"rendered":"<p>FICTION Linda&#8217;s Cat by Ben Goldstein POETRY Portrait Of Reality In Fragments by George Abraham Poet Wrestling with the Beating in the Grave\u00a0by Rosebud Ben-Oni The Small Town\u2019s Unwanted Daughter by Kristene Kaye Brown ,jentr\u0259f\u0259\u02c8k\u0101SH(\u0259)n by Bryan Byrdlong Dragons by Grady Chambers We Did Not Know Much About That City by Alisha Dietzman I Am [&hellip;]<\/p>\n","protected":false},"author":1425,"featured_media":14649,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[56],"tags":[],"jetpack_featured_media_url":"https:\/\/cdn.vanderbilt.edu\/vu-wordpress-0\/wp-content\/uploads\/sites\/15\/2018\/03\/19123151\/11.jpg","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-3Ha","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/14208"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/1425"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=14208"}],"version-history":[{"count":19,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/14208\/revisions"}],"predecessor-version":[{"id":14936,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/14208\/revisions\/14936"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media\/14649"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=14208"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=14208"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=14208"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}