{"id":13896,"date":"2017-07-31T22:46:58","date_gmt":"2017-08-01T03:46:58","guid":{"rendered":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/?p=13896"},"modified":"2017-08-30T19:56:03","modified_gmt":"2017-08-31T00:56:03","slug":"nr-23-summer-2017","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/13896","title":{"rendered":"Summer 2017"},"content":{"rendered":"
Fiction<\/a><\/h6>\n

They Kept Riding<\/a>\u00a0by\u00a0Susan Frith
\nAnd Lower To Them The Wing Of Humility<\/a>\u00a0by\u00a0Noor Naga
\nThe Stray<\/a>\u00a0by\u00a0Joanna Pearson<\/p>\n

Poetry<\/a><\/h6>\n

Turning Eight<\/a>\u00a0by Pritha Bhattacharyya
\nNineteen<\/a>\u00a0by\u00a0Tara E. Jay
\nDivorce<\/a>\u00a0by\u00a0Joshua Lee Martin
\nI Want Desperately To Be A Good Person<\/a>\u00a0by\u00a0Josh Myers
\nWhat Goya Knew<\/a>\u00a0by\u00a0David Salner
\nNew Worship<\/a> by Avia Tadmor
\nLandscape<\/a>\u00a0by Talin Tahajian
\nIshmael In The Wilderness<\/a> by Brandon Thurman
\nAu Hasard Balthazar<\/a>\u00a0by\u00a0Brian Tierney
\nThank You Letter To Hava<\/a>\u00a0by Mehrnoosh Torbatnejad
\nEaster Project<\/a> and Silhouettes<\/a> by\u00a0Annie Woodford<\/p>\n

Nonfiction<\/a><\/h6>\n

Parentage, Poolside<\/a>\u00a0by\u00a0Kelsey Gray
\nGhost Feet<\/a> by Melissa Wiley<\/p>\n

Comics<\/a><\/h6>\n

The Fish<\/a>\u00a0by Kelcey\u00a0Parker Ervick<\/p>\n

Interviews<\/a><\/h6>\n

Ritual & Spell:<\/a> An Interview\u00a0with Debra Nystrom
\nWrite What Obsesses You:<\/a> An Interview with Meg Wolitzer<\/p>\n

Featured Artist<\/a><\/h6>\n
<\/h6>\n

Images<\/a> by Jordan Tiberio<\/p>\n

Contributors<\/a><\/h6>\n
Masthead<\/a><\/h6>\n","protected":false},"excerpt":{"rendered":"

Fiction They Kept Riding\u00a0by\u00a0Susan Frith And Lower To Them The Wing Of Humility\u00a0by\u00a0Noor Naga The Stray\u00a0by\u00a0Joanna Pearson Poetry Turning Eight\u00a0by Pritha Bhattacharyya Nineteen\u00a0by\u00a0Tara E. Jay Divorce\u00a0by\u00a0Joshua Lee Martin I Want Desperately To Be A Good Person\u00a0by\u00a0Josh Myers What Goya Knew\u00a0by\u00a0David Salner New Worship by Avia Tadmor Landscape\u00a0by Talin Tahajian Ishmael In The Wilderness by Brandon […]<\/p>\n","protected":false},"author":1425,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[1],"tags":[],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-3C8","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/13896"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/1425"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=13896"}],"version-history":[{"count":15,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/13896\/revisions"}],"predecessor-version":[{"id":14020,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/13896\/revisions\/14020"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=13896"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=13896"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=13896"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}