{"id":13782,"date":"2017-07-22T15:24:07","date_gmt":"2017-07-22T20:24:07","guid":{"rendered":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/?p=13782"},"modified":"2017-07-31T23:08:24","modified_gmt":"2017-08-01T04:08:24","slug":"thank-you-letter-to-hava","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/13782","title":{"rendered":"Thank You Letter to Hava"},"content":{"rendered":"<p>Hava, I love every variation of what they call you, but<br \/>\nI use your Farsi name for the purposes of this letter, Hava,<br \/>\nbefore my teeth came in, my mother held a pomegranate<br \/>\nto my mouth, to rub my tender gums to comfort against<br \/>\nthick bitter skin, she taught me that some foods relieve you<br \/>\nbetter than milk, Hava, she must have learned this from the land<br \/>\nof its origin, in Iran today and always before they are worshipped,<br \/>\nentire festivals dedicated to them, they guard our tables<br \/>\nlike scarlet suns on the longest night of the year, Hava,<br \/>\nI have seen them growing on trees and backyard shrubs,<br \/>\nsketch either side of long roads and highways, in holy awe<br \/>\neach time, like every sighting was a hallowed space, or<br \/>\na soundless call that a prayer must be offered, and it isn\u2019t just us,<br \/>\nHava, Queen Hatshepsut\u2019s butler was buried with one, whole<br \/>\nand uncovered in three millennia, Bronze Age findings,<br \/>\ncuneiform records, in Mary\u2019s hands in Renaissance paintings\u2014<br \/>\nits bulbous orb and pronged crown, a godly token, Hava,<br \/>\nin so many lands a symbol of something, prosperity, abundance,<br \/>\nfertility of course; that fall, Hava, when the illness evolved,<br \/>\nboxes full of them arrived to the door I kept closed, and<br \/>\nall I could do that season, Hava, was take one and cleave its tiara,<br \/>\nknife its center halfway before I split the rest with my hands,<br \/>\nexhaling with the sound of its perfect rip, so wet and generous,<br \/>\nI swayed back and forth on the floor as I removed in meditation<br \/>\nthe arils from its yellowed membrane, like a vacant carton of eggs,<br \/>\nthe impression of what was taken remained; I could not eat<br \/>\nduring the sickness, Hava, but I could press each purple pill<br \/>\nwith my tongue better than twenty milligrams, and at no other time<br \/>\nwas each breath more measured than between spoonfuls;<br \/>\nsometimes I would deseed for hours until a dripping ruby<br \/>\nmountain towered in the salad bowl, and then ladle the sour pearls<br \/>\nwith my palms, Hava, what is it about pomegranate that is so curative,<br \/>\nmaybe there is an antidotal joy in breaking a fruit and not expelling<br \/>\nits seeds for waste, maybe there is praise for breaking a fruit and<br \/>\nletting it bleed its juice across your wrists, Hava, in scriptures<br \/>\nthey are always mentioned, proof that there is god; from heaven<br \/>\nto my New York kitchen, they spill and stain beautifully my arms<br \/>\ndug deep into its grains; you must have panicked, distraught<br \/>\nwhen exile was decreed, but Hava, Hawwah, Eve:<br \/>\nyou still managed to slip one, bring it with you, like you knew<br \/>\nthe women to come would need something to sink their teeth<br \/>\ninto when a man turns them in, and this time,<br \/>\ngod knew to look the other way and forgive the sin<\/p>\n<h6><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/13891\">MEHRNOOSH TORBATNEJAD<\/a><\/p>\n<h6><\/h6>\n<\/h6>\n","protected":false},"excerpt":{"rendered":"<p>Hava, I love every variation of what they call you, but I use your Farsi name for the purposes of this letter, Hava, before my teeth came in, my mother held a pomegranate to my mouth, to rub my tender gums to comfort against thick bitter skin, she taught me that some foods relieve you [&hellip;]<\/p>\n","protected":false},"author":1425,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[53],"tags":[25],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-3Ai","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/13782"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/1425"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=13782"}],"version-history":[{"count":4,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/13782\/revisions"}],"predecessor-version":[{"id":13984,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/13782\/revisions\/13984"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=13782"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=13782"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=13782"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}