{"id":13539,"date":"2017-04-05T00:48:02","date_gmt":"2017-04-05T05:48:02","guid":{"rendered":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/?p=13539"},"modified":"2017-04-05T11:37:10","modified_gmt":"2017-04-05T16:37:10","slug":"nr-22-spring-2017","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/13539","title":{"rendered":"NR 22 \/\/ Spring 2017"},"content":{"rendered":"
Fiction<\/a><\/h6>\n

Russian Verbs of Motion<\/a> by Jeremy Packert Burke
\nThe Floor is Lava<\/a> by Paul Crenshaw
\nLacquered Claws<\/a> by Toni Judnitch
\nArt Show<\/a> by Su-Yee Lin<\/p>\n

Poetry<\/a><\/h6>\n

The Water<\/a> by Dilruba Ahmed
\nShe Went as a Cheetah<\/a> by Evan Baur
\nImmortality (or on turning 36)<\/a> by Zeina Hashem Beck
\nTituba, Black Witch of Salem<\/a> by Tara Betts
\nAltars<\/a> by Bill Brown
\nEcosphere<\/a> Lauren Camp
\nnarcissus (goes to the market)<\/a> by jayy dodd
\nPoem for Kate in Chemo<\/a> and Poem for Kate in Absentia<\/a> by Alexis Rhone Fancher
\nSomething Like Dark<\/a> by Michael Hurley
\nwe call \u2018im buddy-toes<\/a> by Marlin M. Jenkins
\nBeast Litany<\/a> by Carly Joy Miller
\nIn the Netflix Trailer Obama Says \u201cI Don\u2019t Fit in Anywhere\u201d While Anthony Hamilton Pulls a Burning City Out of His Mouth<\/a> by Julian Randall
\nTo the Chevy Slowing Down Beside Me<\/a> by Jacqueline Sabbagh
\nWe Know Monsters by Their Teeth<\/a> Kelly Grace Thomas
\n1941: The Drawings of Bill Traylor<\/a> William Woolfitt<\/p>\n

Nonfiction<\/a><\/h6>\n

Theft<\/a> by Peter Grimes<\/p>\n

Comics<\/a><\/h6>\n

Birthplace of the Saints<\/a> by Kevin Reilly<\/p>\n

 <\/p>\n

Images<\/a> by Bedelgeuse<\/p>\n

Contributors<\/a><\/h6>\n
Masthead<\/a><\/h6>\n","protected":false},"excerpt":{"rendered":"

Fiction Russian Verbs of Motion by Jeremy Packert Burke The Floor is Lava by Paul Crenshaw Lacquered Claws by Toni Judnitch Art Show by Su-Yee Lin Poetry The Water by Dilruba Ahmed She Went as a Cheetah by Evan Baur Immortality (or on turning 36) by Zeina Hashem Beck Tituba, Black Witch of Salem by […]<\/p>\n","protected":false},"author":647,"featured_media":13766,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[52],"tags":[],"jetpack_featured_media_url":"https:\/\/cdn.vanderbilt.edu\/vu-wordpress-0\/wp-content\/uploads\/sites\/15\/2017\/04\/19123217\/Bedel_-3small.jpg","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-3wn","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/13539"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/647"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=13539"}],"version-history":[{"count":9,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/13539\/revisions"}],"predecessor-version":[{"id":13770,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/13539\/revisions\/13770"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media\/13766"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=13539"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=13539"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=13539"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}