{"id":13418,"date":"2016-12-15T00:19:00","date_gmt":"2016-12-15T06:19:00","guid":{"rendered":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/?p=13418"},"modified":"2016-12-15T00:19:00","modified_gmt":"2016-12-15T06:19:00","slug":"nr-21-winter-2016","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/13418","title":{"rendered":"NR 21 \/\/ Winter 2016"},"content":{"rendered":"<h6><a href=\"\/nashvillereview\/fiction\">Fiction<\/a><\/h6>\n<p><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/13349\">Four Self-Portraits of the Mapmaker<\/a> by Liz Breazeale<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/13358\">The First Part of Knowing<\/a> by Kate Lister Campbell<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/13345\">Angry Signatures<\/a> by Ursula Villarreal-Moura<\/p>\n<h6><a href=\"\/nashvillereview\/poetry\">Poetry<\/a><\/h6>\n<p><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/13240\">Portrait of the Alcoholic Three Weeks Sober<\/a> by Kaveh Akbar<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/13187\">Elegy, 1998<\/a> by Anuradha Bhowmik<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/13185\">Cruelty-Free<\/a> by Conor Bracken<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/13226\">The Facts, As I Understand Them<\/a> by Molly McCully Brown<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/13215\">The Doctor Asks Me When the Pain Began<\/a> by Kerri French<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/13181\">Where Will You Spend Eternity : Heaven or Hell?<\/a> by Mikko Harvey<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/13203\">Blue Orgy<\/a> by Kamden Hilliard<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/13190\">At Skull Creek in Fayetteville, Arkansas<\/a> by Chloe Honum<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/13176\">Junk Mail Marriage<\/a> by Rachel Mennies<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/13174\">Social Death, an Address<\/a> by Xandria Phillips<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/13224\">Beneficence<\/a> by Justin Phillip Reed<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/13195\">Firewatch<\/a> by Jan Verberkmoes<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/13309\">The Most Dangerous Game<\/a> by Marcus Wicker<\/p>\n<h6><a href=\"\/nashvillereview\/nonfiction\">Nonfiction<\/a><\/h6>\n<p><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/13161\">Lava River Cave<\/a> by Will Cordeiro<\/p>\n<h6><a href=\"\/nashvillereview\/comics\">Comics<\/a><\/h6>\n<p><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/13270\">Lightning on the Mountain<\/a> by Charlotte Gross<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/13170\">The Uncanny Uncle Dave in the Insatiability of Man<\/a> by Sean Ironman<\/p>\n<h6><a href=\"\/nashvillereview\/interviews\">Interviews<\/a><\/h6>\n<p><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/13360\">A Coffee Shop Talk with Ross Gay<\/a> by Tiana Clark<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/13305\">A Conversation with Danielle Evans<\/a> by Kelsey Norris<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/13296\">A Conversation with Peter Guralnick<\/a> by Katherine Miller<\/p>\n<p><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/13387\">Images<\/a> by Jess X Snow<\/p>\n<h6><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/13165\">Contributors<\/a><\/h6>\n<h6><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/13436\">Masthead<\/a><\/h6>\n","protected":false},"excerpt":{"rendered":"<p>Fiction Four Self-Portraits of the Mapmaker by Liz Breazeale The First Part of Knowing by Kate Lister Campbell Angry Signatures by Ursula Villarreal-Moura Poetry Portrait of the Alcoholic Three Weeks Sober by Kaveh Akbar Elegy, 1998 by Anuradha Bhowmik Cruelty-Free by Conor Bracken The Facts, As I Understand Them by Molly McCully Brown The Doctor [&hellip;]<\/p>\n","protected":false},"author":647,"featured_media":13432,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[50],"tags":[29],"jetpack_featured_media_url":"https:\/\/cdn.vanderbilt.edu\/vu-wordpress-0\/wp-content\/uploads\/sites\/15\/2016\/12\/19123228\/NR_14.jpg","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-3uq","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/13418"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/647"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=13418"}],"version-history":[{"count":9,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/13418\/revisions"}],"predecessor-version":[{"id":13902,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/13418\/revisions\/13902"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media\/13432"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=13418"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=13418"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=13418"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}