{"id":13078,"date":"2016-08-01T00:21:26","date_gmt":"2016-08-01T06:21:26","guid":{"rendered":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/?p=13078"},"modified":"2016-08-01T05:34:01","modified_gmt":"2016-08-01T11:34:01","slug":"nr-20-summer-2016","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/13078","title":{"rendered":"NR 20 \/\/ Summer 2016"},"content":{"rendered":"<h6><a href=\"\/nashvillereview\/fiction\">Fiction<\/a><\/h6>\n<p><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/12952\">Badlands<\/a> by Garrett Biggs<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/12957\">Higher Ground<\/a> by Ashley Davidson<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/12965\">Some of the Lies I Tell My Children<\/a> by Ruth Joffre<\/p>\n<h6><a href=\"\/nashvillereview\/poetry\">Poetry<\/a><\/h6>\n<p><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/12793\">Domestic Precaution<\/a> by Lauren Albin<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/12798\">Without heads, living statues<\/a> by by E. Kristin Anderson<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/12802\">The Lights Shut Off in the City of Ghosts<\/a> by Ruth Awad<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/12809\">Leaving the Pain Clinic<\/a> by William Brewer<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/12812\">Memorandum<\/a> by Cortney Lamar Charleston<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/12819\">In August, I Undress<\/a> by Leila Chatti<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/12824\">Prairie Rites<\/a> by Margaret Cipriano<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/12835\">Going Home<\/a> by Jeremy Michael Clark<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/12932\">The Real Self is Very Scary<\/a> and <a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/12937\">Putting On My Body<\/a> by Katie Condon<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/12902\">3:16 :: So Loved<\/a>, <a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/12897\">Bop: No More Your Mirror | <em>Side B: My Wife\u2019s Fugue<\/em><\/a>, and <a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/12907\">What I Mean When I Say <em>Homesick<\/em><\/a> by Geffrey Davis<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/12912\">For a Kid Death Happens Like This<\/a> by Tyree Daye<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/12841\">Late Night with the Prince of Ruin<\/a> by Stevie Edwards<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/12845\">Returned<\/a> by Kate Gaskin<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/12849\">Behind the Story Being Told<\/a> by Jeff Hardin<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/12853\">Crossdressed in Rochester, MN, I Consider My Reflection in a Bar Window<\/a> by Samuel Hovda<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/12859\">Marriage, Ten Years In<\/a> by Gary McDowell<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/12865\">Elegy for the First<\/a> and <a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/12872\">White Boy Time Machine: Override<\/a> by Hieu Minh Nguyen<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/12877\">What Dying Was Like<\/a> by Philip Schaefer<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/12881\">Illustration<\/a> and <a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/12886\">At Your Age, I Wore a Darkness<\/a> by Maggie Smith<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/12889\">Landscape with Pentimento<\/a> by Brad Trumpfheller<\/p>\n<h6><a href=\"\/nashvillereview\/nonfiction\">Nonfiction<\/a><\/h6>\n<p><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/12983\">Goodbye, and Again<\/a> by Jamie Cattanach<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/12987\">Drake and the Erotics of Loneliness<\/a> by Victoria Kornick<\/p>\n<h6><a href=\"\/nashvillereview\/comics\">Comics<\/a><\/h6>\n<p><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/13050\">Questions to the Lost<\/a> by Nicky Arscott and Greg Koehler<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/13062\">Lantern<\/a> by Erin Kathleen Bahl<\/p>\n<h6><a href=\"\/nashvillereview\/interviews\">Interviews<\/a><\/h6>\n<p><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/12980\">An Interview with Garth Risk Hallberg<\/a> by T.V. Yurevitch<\/p>\n<h6><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/13007\">Images<\/a><\/h6>\n<p> by Jennifer Garza-Cuen<\/p>\n<h6><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/12804\">Contributors<\/a><\/h6>\n<h6><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/13071\">Masthead<\/a><\/h6>\n","protected":false},"excerpt":{"rendered":"<p>Fiction Badlands by Garrett Biggs Higher Ground by Ashley Davidson Some of the Lies I Tell My Children by Ruth Joffre Poetry Domestic Precaution by Lauren Albin Without heads, living statues by by E. Kristin Anderson The Lights Shut Off in the City of Ghosts by Ruth Awad Leaving the Pain Clinic by William Brewer [&hellip;]<\/p>\n","protected":false},"author":647,"featured_media":13095,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[48],"tags":[29],"jetpack_featured_media_url":"https:\/\/cdn.vanderbilt.edu\/vu-wordpress-0\/wp-content\/uploads\/sites\/15\/2016\/08\/19123239\/Untitled-Shop2c-Detroit2c-MI.jpg","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-3oW","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/13078"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/647"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=13078"}],"version-history":[{"count":8,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/13078\/revisions"}],"predecessor-version":[{"id":13417,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/13078\/revisions\/13417"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media\/13095"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=13078"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=13078"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=13078"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}