{"id":12802,"date":"2016-08-01T00:00:03","date_gmt":"2016-08-01T06:00:03","guid":{"rendered":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/?p=12802"},"modified":"2016-08-01T00:05:21","modified_gmt":"2016-08-01T06:05:21","slug":"the-lights-shut-off-in-the-city-of-ghosts","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/12802","title":{"rendered":"The Lights Shut Off in the City of Ghosts"},"content":{"rendered":"<p>Each apartment wall the glass<br \/>\nof a tank filling with water.<br \/>\nGod of my father, the Mediterranean<br \/>\nthat followed him. Blood the torch<br \/>\nof red tulips that blazed<br \/>\nthe garden of what she left us:<br \/>\ntwo cassettes, obsidian cherubs,<br \/>\nher voice on the answering machine,<br \/>\nthick opoponax.<\/p>\n<p><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/12804\"><\/p>\n<h6>Ruth Awad<\/h6>\n<p><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Each apartment wall the glass of a tank filling with water. God of my father, the Mediterranean that followed him. Blood the torch of red tulips that blazed the garden of what she left us: two cassettes, obsidian cherubs, her voice on the answering machine, thick opoponax. Ruth Awad<\/p>\n","protected":false},"author":647,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[48],"tags":[25],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-3ku","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/12802"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/647"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=12802"}],"version-history":[{"count":3,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/12802\/revisions"}],"predecessor-version":[{"id":12943,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/12802\/revisions\/12943"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=12802"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=12802"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=12802"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}