{"id":12657,"date":"2016-03-21T01:24:51","date_gmt":"2016-03-21T07:24:51","guid":{"rendered":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/?p=12657"},"modified":"2018-07-31T11:45:15","modified_gmt":"2018-07-31T16:45:15","slug":"chelsea-velaga","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/12657","title":{"rendered":"NR 19: Images by Chelsea Velaga"},"content":{"rendered":"

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Chelsea Velaga<\/a><\/h6>\n

Chelsea is an artist living and working in Nashville. Her work visually intertwines interior aspects of domesticity and exterior samplings of nature to create fluid spaces and compositions that reflect a soft nihilism. Many of these drawings are in pen and ink, yet are influenced by printmaking processes such as lithography and screen printing.<\/p>\n","protected":false},"excerpt":{"rendered":"

Chelsea Velaga Chelsea is an artist living and working in Nashville. Her work visually intertwines interior aspects of domesticity and exterior samplings of nature to create fluid spaces and compositions that reflect a soft nihilism. Many of these drawings are in pen and ink, yet are influenced by printmaking processes such as lithography and screen […]<\/p>\n","protected":false},"author":354,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[47],"tags":[43],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-3i9","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/12657"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/354"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=12657"}],"version-history":[{"count":4,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/12657\/revisions"}],"predecessor-version":[{"id":14946,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/12657\/revisions\/14946"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=12657"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=12657"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=12657"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}