{"id":12203,"date":"2015-07-31T00:00:27","date_gmt":"2015-07-31T06:00:27","guid":{"rendered":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/?p=12203"},"modified":"2015-07-31T21:16:54","modified_gmt":"2015-08-01T03:16:54","slug":"summer-15","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/12203","title":{"rendered":"NR 17 \/\/ Summer 2015"},"content":{"rendered":"
Fiction<\/a><\/h6>\n

Descending a Staircase<\/a> by Azareen Van Der Vliet Oloomi
\nTwenty-Two Turntables and the Devil’s Still Home<\/a> by Jason Arias
\nPlagues<\/a> by Rebekah Bergman<\/p>\n

Poetry<\/a><\/h6>\n

Island<\/a> by Michael Bazzett
\nThe Diner<\/a> by Justin Boening
\nBenediction<\/a> and For Stephen Who Is Not the Martyr,<\/a> by M.K. Foster
\nChet Baker, Breaking His Embouchure<\/a> by Khaleel Gheba
\nCutting<\/a> by Brionne Janae
\nThe Good Life<\/a> by Matt Morton
\nWatching the Packers While Ovulating<\/a> by Nora Hickey
\nBroken Sonnet: Bess Houdini<\/a> by Mark Wagenaar
\nFor Lack of Atari, 1983<\/a> by Lisette Alonso
\nThe Bomba Man and The Blues Man walk into a bar,<\/a> by Malcolm Friend
\nChicken and Hawk<\/a> by Matt Muth
\nDomesticity, Gothic Perspective<\/a> by Susan Cronin
\nSudden Hymn in Winter<\/a> by Carlie Hoffman
\nA Prayer<\/a> by J.G. McClure
\nArgument Against Motion<\/a> by James Capozzi<\/p>\n

Nonfiction<\/a><\/h6>\n

Crossing Brooklyn Bridge<\/a> by Helen Betya Rubinstein<\/p>\n

Comics<\/a><\/h6>\n

Three Comics <\/a> by Harley Schwadron
\nYour Everlasting Gaze <\/a> by Ryan King and Johnny Herber
\nDead Mall, from This New Millennium<\/a> by Dylan Good<\/p>\n

Jukebox<\/a><\/h6>\n

Pop Song for Euthanasia<\/a> and I Is What I Is<\/a> by Shilpa Ray
\nBlondie<\/a> and Skin Coat<\/a> by Team Wild
\nI Remember<\/a> and Trying<\/a> by Bully<\/p>\n

Interviews<\/a><\/h6>\n

An Interview with Matt Baker<\/a> by W.S. Lyon
\nAn Interview with Claire Vaye Watkins<\/a> by Rita Bullwinkel
\nAn Interview with Lyndsey Marko<\/a> by Rita Bullwinkel<\/p>\n

Images<\/a><\/h6>\n

by Lyndsey Marko<\/p>\n

Contributors<\/a><\/h6>\n
Masthead<\/a><\/h6>\n","protected":false},"excerpt":{"rendered":"

Fiction Descending a Staircase by Azareen Van Der Vliet Oloomi Twenty-Two Turntables and the Devil’s Still Home by Jason Arias Plagues by Rebekah Bergman Poetry Island by Michael Bazzett The Diner by Justin Boening Benediction and For Stephen Who Is Not the Martyr, by M.K. Foster Chet Baker, Breaking His Embouchure by Khaleel Gheba Cutting […]<\/p>\n","protected":false},"author":354,"featured_media":11957,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[44],"tags":[29],"jetpack_featured_media_url":"https:\/\/cdn.vanderbilt.edu\/vu-wordpress-0\/wp-content\/uploads\/sites\/15\/2015\/05\/19123304\/high-dive-crop-1.jpg","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-3aP","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/12203"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/354"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=12203"}],"version-history":[{"count":22,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/12203\/revisions"}],"predecessor-version":[{"id":12365,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/12203\/revisions\/12365"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media\/11957"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=12203"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=12203"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=12203"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}