{"id":1120,"date":"2010-04-01T00:01:03","date_gmt":"2010-04-01T05:01:03","guid":{"rendered":"\/nashvillereview\/?p=1120"},"modified":"2015-02-12T16:41:38","modified_gmt":"2015-02-12T22:41:38","slug":"backfire-2","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/1120","title":{"rendered":"Backfire 2"},"content":{"rendered":"<p style=\"padding-left: 390px\">\nThe city\u2019s hieroglyphics<br \/>\nappearing from the haze as if<br \/>\nwe are descending<\/p>\n<p>In a plane and hover right above the moment when words become legible.<\/p>\n<p>The air, like rough, white parchment,<\/p>\n<p style=\"padding-left: 120px\">The chaparral in the Santa Monica Mountains continues to erupt<\/p>\n<p>Its desires, bush to bush beating with invisible flashing hearts\u2014<\/p>\n<p>Helicopters fly low over the China graffiti and explosions of bougainvillea.<\/p>\n<p>We ascend the mountain\u2019s alter-stair to the Hollywood sign,<\/p>\n<p style=\"padding-left: 450px\">glowing apparitional<br \/>\non the hill.<\/p>\n<p>The diminutive orange trumpets of the sage blossoms blow<\/p>\n<p>Their small notes of color and scent.<\/p>\n<p style=\"padding-left: 270px\">I want to be your young wife<\/p>\n<p>Thirty hours pregnant,<br \/>\n<span style=\"color: #ffffff\">. . . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . <\/span>Neruda opened at my pelvis.<\/p>\n<p><span style=\"color: #ffffff\">. . . . . . . . . . . . . . . . . . .<\/span>The lights of L.A. flicker<br \/>\nand reflex<\/p>\n<p style=\"padding-left: 60px\">like millions of votives in the temple. And I say it with Sappho,<\/p>\n<p><em>Let it happen to me, all.<\/em><\/p>\n<p style=\"padding-left: 180px\">The ravens, like hustlers, ascend the avocado tree.<\/p>\n<p>A charred squirrel, insides spilled and lit up like black pearls\u2014<\/p>\n<p>The lights scatter in a dense universe of stars.<\/p>\n<p>When you rise to go<\/p>\n<p>I\u2019ll turn into the cat-claw acacia,<br \/>\n<span style=\"color: #ffffff\">. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .<\/span>I\u2019ll hook your clothes; I\u2019ll hook a rib.<\/p>\n<p>I was like the melanophilia beetle<\/p>\n<p style=\"padding-left: 240px\">Who senses the fire from miles away<br \/>\n<span style=\"color: #ffffff\"> . . . . . . . . . . . . .<\/span>And comes to lay her eggs in the heat.<\/p>\n<p>A snake darts fast between us,<\/p>\n<p style=\"padding-left: 120px\">Dangerous as the look on my face and the look on yours.<\/p>\n<p>Fire loosens the air between us, <em>love loosening my limbs<\/em>,<\/p>\n<p>Undressing the lemon trees,<\/p>\n<p>Our bedroom floor is scattered with Gabriel\u2019s 600 beating wings.<\/p>\n<h6><a title=\"Spring 2010 Contributors\" href=\"\/nashvillereview\/archives\/693\">Heather Derr-Smith<\/a><\/h6>\n","protected":false},"excerpt":{"rendered":"<p>The city\u2019s hieroglyphics appearing from the haze as if we are descending In a plane and hover right above the moment when words become legible. The air, like rough, white parchment, The chaparral in the Santa Monica Mountains continues to erupt Its desires, bush to bush beating with invisible flashing hearts\u2014 Helicopters fly low over [&hellip;]<\/p>\n","protected":false},"author":22,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[8],"tags":[25],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-i4","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/1120"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/22"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=1120"}],"version-history":[{"count":1,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/1120\/revisions"}],"predecessor-version":[{"id":10115,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/1120\/revisions\/10115"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=1120"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=1120"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=1120"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}