{"id":10865,"date":"2015-04-01T00:00:22","date_gmt":"2015-04-01T06:00:22","guid":{"rendered":"http:\/\/wp0.vanderbilt.edu\/nashvillereview\/?p=10865"},"modified":"2015-03-19T13:02:51","modified_gmt":"2015-03-19T19:02:51","slug":"kai-carlson-wee","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/10865","title":{"rendered":"Kai Carlson-Wee"},"content":{"rendered":"<h6>Endless Glory Days<\/h6>\n<p><iframe width=\"740\" height=\"400\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?visual=true&#038;url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F196690717&#038;show_artwork=true&#038;maxwidth=740&#038;maxheight=1000\"><\/iframe><\/p>\n<h6><a href=\"\/nashvillereview\/archives\/10400\">Kai Carlson-Wee<\/a><\/h6>\n<p> is a poet from northern Minnesota. His work has appeared in journals such as <em>Narrative<\/em>, <em>Best New Poets<\/em>, <em>Tri-Quarterly<\/em>, and <em>The Missouri Review<\/em>, which recently selected a group of his poems for their annual editor\u2019s prize. A former Wallace Stegner Fellow, he lives in San Francisco, and is a Jones Lecturer in poetry at Stanford University.<\/p>\n<p>Links:<br \/>\n<a href=\"https:\/\/vimeo.com\/101822582\">https:\/\/vimeo.com\/101822582<\/a><br \/>\n<a href=\"http:\/\/narri.tv\/1vpSAZJ\">http:\/\/narri.tv\/1vpSAZJ<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Endless Glory Days Kai Carlson-Wee is a poet from northern Minnesota. His work has appeared in journals such as Narrative, Best New Poets, Tri-Quarterly, and The Missouri Review, which recently selected a group of his poems for their annual editor\u2019s prize. A former Wallace Stegner Fellow, he lives in San Francisco, and is a Jones [&hellip;]<\/p>\n","protected":false},"author":46,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[18],"tags":[32],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-2Pf","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/10865"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/46"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=10865"}],"version-history":[{"count":1,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/10865\/revisions"}],"predecessor-version":[{"id":10866,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/10865\/revisions\/10866"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=10865"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=10865"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=10865"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}