{"id":10438,"date":"2015-04-01T00:00:37","date_gmt":"2015-04-01T06:00:37","guid":{"rendered":"http:\/\/wp0.vanderbilt.edu\/nashvillereview\/?p=10438"},"modified":"2015-03-26T07:57:17","modified_gmt":"2015-03-26T13:57:17","slug":"spring-2015","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/10438","title":{"rendered":"Spring 2015"},"content":{"rendered":"<h6><a href=\"\/nashvillereview\/fiction\">Fiction<\/a><\/h6>\n<p><a href=\"\/nashvillereview\/archives\/10497\">Everything Hits at Once<\/a> by Lucas Church<br \/>\n<a href=\"\/nashvillereview\/archives\/10493\">Roll Varmints Roll<\/a> by Sasha Fletcher<\/p>\n<h6><a href=\"\/nashvillereview\/poetry\">Poetry<\/a><\/h6>\n<p><a href=\"\/nashvillereview\/archives\/10398\">Birthday<\/a> by Liz Clift<br \/>\n<a href=\"\/nashvillereview\/archives\/10405\">As One to One is Coffled<\/a> by Kyle Dacuyan<br \/>\n<a href=\"\/nashvillereview\/archives\/10408\">Sound Effects<\/a> by Kathy Davis<br \/>\n<a href=\"\/nashvillereview\/archives\/10428\">My Grandmother&#8217;s Vibrator<\/a> by Amy Fant<br \/>\n<a href=\"\/nashvillereview\/archives\/10430\">Because you said not to write a poem about this, or If Mill was right about poetry<\/a> by Anna Finn<br \/>\n<a href=\"\/nashvillereview\/archives\/10432\">As It Turned Out<\/a> by Tracy Fuad<br \/>\n<a href=\"\/nashvillereview\/archives\/10434\">The Cottingley Fairies<\/a> and <a href=\"\/nashvillereview\/archives\/10444\">The Body of Mr. Charles B. Rosna, 1904<\/a> by Katherine Johnsen<br \/>\n<a href=\"\/nashvillereview\/archives\/10446\">Recursive Echolalia: Elegy for Children<\/a> by Bill Neumire<br \/>\n<a href=\"\/nashvillereview\/archives\/10449\">Where We Never See Our Heroes<\/a> Poets&#8217; Guide to America<br \/>\n<a href=\"\/nashvillereview\/archives\/10535\">The Lacemaker<\/a> by Nicole Rollender<br \/>\n<a href=\"\/nashvillereview\/archives\/10541\">Children of Women<\/a> and <a href=\"\/nashvillereview\/archives\/10538\">Unclean<\/a> by Ashley Trabue<br \/>\n<a href=\"\/nashvillereview\/archives\/10544\">Glinda Leaves Oz<\/a>, <a href=\"\/nashvillereview\/archives\/10546\">Glinda and the Astronomer Talk About Marriage<\/a> and <a href=\"\/nashvillereview\/archives\/10548\">Glinda and Miss Havisham Discuss Alternatives<\/a> by Sarah Ann Winn<\/p>\n<h6><a href=\"\/nashvillereview\/nonfiction\">Nonfiction<\/a><\/h6>\n<p><a href=\"\/nashvillereview\/archives\/10845\">Dee Dee was a cat<\/a> by Calvero<\/p>\n<h6><a href=\"\/nashvillereview\/comics\">Comics<\/a><\/h6>\n<p><a href=\"\/nashvillereview\/archives\/10558\">but you are an artist too<\/a> by Janne Karlsson<br \/>\n<a href=\"\/nashvillereview\/archives\/10552\">Robur, Once A Conqueror<\/a> by Nicolas Labarre<br \/>\n<a href=\"\/nashvillereview\/archives\/10937\">A Blind Dog Named Killer and a Colony of Bees<\/a> story by Mary Miller, adapted by Roo Vandegrift<\/p>\n<h6><a href=\"\/nashvillereview\/jukebox\">Jukebox<\/a><\/h6>\n<p><a href=\"\/nashvillereview\/archives\/10865\">Endless Glory Days<\/a> by Kai Carlson-Wee<br \/>\n<a href=\"\/nashvillereview\/archives\/10857\">My Rifle My Pony<\/a> and <a href=\"\/nashvillereview\/archives\/10857\">Be Here Now<\/a> by Patrick Chabot<br \/>\n<a href=\"\/nashvillereview\/archives\/10869\">Pendulum<\/a> and <a href=\"\/nashvillereview\/archives\/10869\">My Little Life<\/a> by Korby Lenker<\/p>\n<h6><a title=\"Film &amp; Dance\" href=\"http:\/\/wp0.vanderbilt.edu\/nashvillereview\/pieces\/film-dance\">Film\u00a0&amp; dance<\/a><\/h6>\n<p><a href=\"\/nashvillereview\/archives\/10878\">Tamarack Base (Larix Laricina)<\/a> by Ben Baker-Smith and Evan K\u00fchl<br \/>\n<a href=\"\/nashvillereview\/archives\/11163\">What I Learned from 50 Shades of Grey<\/a> by Morton Street Productions<br \/>\n<a href=\"\/nashvillereview\/archives\/10899\">Sunset Boulevard<\/a> and <a href=\"\/nashvillereview\/archives\/10902\">Enjoy<\/a> by Sam Rosenblatt<\/p>\n<h6><a href=\"\/nashvillereview\/interviews\">Interviews<\/a><\/h6>\n<p><a href=\"\/nashvillereview\/archives\/10743\">An Interview with Stuart Dybek<\/a> by Simon Han<br \/>\n<a href=\"\/nashvillereview\/archives\/10750\">An Interview with Bruce Beasley<\/a> by Mary Somerville<br \/>\n<a href=\"\/nashvillereview\/archives\/10909\">An Interview with Robin McLean<\/a> by Michael Carolan<\/p>\n<h6><a href=\"\/nashvillereview\/archives\/11848\">Images<\/a><\/h6>\n<p>by <a href=\"\/nashvillereview\/archives\/10400\">Nina Barnes<\/a><\/p>\n<h6><a href=\"\/nashvillereview\/archives\/10400\">Contributors<\/a><\/h6>\n<h6><a href=\"\/nashvillereview\/archives\/10884\">Masthead<\/a><\/h6>\n","protected":false},"excerpt":{"rendered":"<p>Fiction Everything Hits at Once by Lucas Church Roll Varmints Roll by Sasha Fletcher Poetry Birthday by Liz Clift As One to One is Coffled by Kyle Dacuyan Sound Effects by Kathy Davis My Grandmother&#8217;s Vibrator by Amy Fant Because you said not to write a poem about this, or If Mill was right about [&hellip;]<\/p>\n","protected":false},"author":46,"featured_media":10381,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[18],"tags":[29],"jetpack_featured_media_url":"https:\/\/cdn.vanderbilt.edu\/vu-wordpress-0\/wp-content\/uploads\/sites\/15\/2015\/03\/19123321\/NinaTwinTheEye.jpg","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-2Im","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/10438"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/46"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=10438"}],"version-history":[{"count":42,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/10438\/revisions"}],"predecessor-version":[{"id":11905,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/10438\/revisions\/11905"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media\/10381"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=10438"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=10438"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=10438"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}