{"id":2,"date":"2010-11-01T00:00:33","date_gmt":"2010-11-01T05:00:33","guid":{"rendered":"\/nashvillereview\/?page_id=2"},"modified":"2026-06-20T14:32:44","modified_gmt":"2026-06-20T19:32:44","slug":"submissions","status":"publish","type":"page","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/","title":{"rendered":"NR 46"},"content":{"rendered":"

NR 46<\/h1>\n

<\/h6>\n
poetry<\/h6>\n

Duloxetine, 60mg<\/a> by Ashwini Bhasi<\/p>\n

Failed Abecedarian<\/a> by Prosper Ifeanyi<\/p>\n

I Will Never Be Fifteen Again<\/a> by Kayla Simon<\/p>\n

 <\/p>\n

featured artist<\/h6>\n

A VERSE HEX A QUEST REND A CORE<\/a>, a visual poetic sequence by<\/em> Maggie Queeney<\/p>\n

 <\/p>\n

nonfiction<\/h6>\n

Alien<\/a> by Anemone Beaulier<\/p>\n

Patches<\/a> by Garnet Juniper Bennet<\/p>\n

The Feast of the Vulture<\/a> by Elizabeth Wenger<\/p>\n

 <\/p>\n

fiction<\/h6>\n

Doll<\/a> by Shlagha Borah<\/p>\n

 <\/p>\n

book review<\/h6>\n

Review: Stephanie Niu\u2019s I Would Define the Sun<\/em><\/a>\u00a0by Lana Reeves<\/p>\n

 <\/p>\n

contributors<\/a><\/h6>\n
<\/h6>\n
MASTHEAD<\/a><\/h6>\n
<\/h6>\n","protected":false},"excerpt":{"rendered":"

NR 46 poetry Duloxetine, 60mg by Ashwini Bhasi Failed Abecedarian by Prosper Ifeanyi I Will Never Be Fifteen Again by Kayla Simon   featured artist A VERSE HEX A QUEST REND A CORE, a visual poetic sequence by Maggie Queeney   nonfiction Alien by Anemone Beaulier Patches by Garnet Juniper Bennet The Feast of the […]<\/p>\n","protected":false},"author":354,"featured_media":19822,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"","meta":{"spay_email":""},"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P6Jypy-2","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/pages\/2"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/354"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=2"}],"version-history":[{"count":153,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/pages\/2\/revisions"}],"predecessor-version":[{"id":19820,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/pages\/2\/revisions\/19820"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media\/19822"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=2"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}